MAJA SMREKAR AT CLICK FESTIVAL – MAY 18-19TH 2019 CONTEMPORARY ART, SCIENCE AND TECHNOLOGY As part of Click Festival 2019, artist Maja Smrekar will present her first Artist Talk on the topic of an ongoing practice based artistic research project – produced by Quo Artis (ES) and co-produced by Kapelica Gallery (SI) and The Culture Yard (DK) – which will […]Read More
By Santiago Fernández.
Following our series on pioneer artists creating art outside the limits imposed by gravity, it´s time to discover Arthur Woods. Unlike the artists previously mentioned in this blog, Kitsou Dubois and Frank Pietronigro, Woods didn’t take any parabolic flight.
By Santiago Fernández.
Frank Pietronigro is an interdisciplinary artist and educator. He studied at the University of Arts in Philadelphia. During his college years, back in the seventies, he fantasised to create paintings that could float in mid-air. In 1998, on NASA´s KC135 aircraft, he fulfilled his dream with Project 33 during a parabolic flight.
by Santiago Fernández.
Kitsou Dubois is a French dancer and instructor who has always wanted to communicate and enlarge the “dance space”: whether through choreography in unusual places, experiments with new movements or her teaching to diverse groups of people.
Multiple exchanges between scientific investigation and art take place both through the materials and the ideas used. The renowned connection between science and creation has existed since the Renaissance period and has never disappeared, despite the growing diversification of scientific research.Read More
The talk “Art, science and technology: the future of artistic production and the aesthetic perception outside of the planet Earth” will be presented by Albert Barqué-Duran (artist and researcher of the City, University of London) and Marc Marzenit (musician, composer and music producer).Read More
How do production and the perception of art change when we are not restricted by the laws and physical frameworks that the planet Earth imposes us? This debate invites us to reflect on what it means to leave our planet and also debate about the future of humanity.Read More
The Antarctic Biennale has open new boundaries within a framework of the perception of time and physical (yet imaginary) space in which the reality was fluid and dense at the same time, alerting our senses to the wonder of nature, intangible by any definition.Read More
Today is the last day on board. The day presents itself truly majestic, mild and very sunny. Now, in the afternoon we have a great view of Cape Horn, the most Southern tip of the American continent. In my childhood, when my brother and I looked at the atlas, we had speculated how Cape Horn would look like.Read More
By Susmita Mohanty.
The Antarctic Biennale being the 1st cultural expedition to the icy continent, I wondered about the response of the Antarctic residents, its wildlife primarily, to our well-intentioned transgression. We were carrying with us an urban notion of culture and the arts.
By Alexander Sekatsky.
Dear colleagues, penguins, and albatrosses who have sided with them! Please let me give you a small lecture.
To begin with, pure contemplation should be differentiated from cognition as a special type of phenomenon, or if you will, a special vocation.
By Jean de Pomereu.
More than just a place, Antarctica is an ideal that first began to inspire artists, writers and cartographers long before the continent was first sighted in 1820. Ever since its earliest exploration, painters and draughtsmen have taken part in expeditions to document and record the process of geographic and scientific discovery.